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BIO
Full Name: Nicholas (but goes by Nick)
Born: Queens, New York
College: Washington University in St. Louis
Law School: Columbia Law School
Jobs Before Writer: Cleaned Parking Lots, Lifeguard, SAT tutor, Bartender, Waiter, On-Air Correspondent for Court TV, Lawyer
Q&A
[NOTE: This interview was conducted by Kathleen Flaherty, an LA publicist and owner of K21 Communications based in Beverly Hills]
Q: You were a practicing lawyer in New York, how did you make the transition to writing, especially for tv and film?
A: I had always wanted to be a writer, since I was a little kid, but I just didn't see how you could make a living as a writer and I felt I needed to do something with the education my family had sacrificed so much for me to get. So after college I went to law school and practiced law for a long time and was absolutely miserable. I just hated being an attorney. Finally, about 6 years ago, when I was still a lawyer, I took my last week of vacation time and spent it writing a screenplay which I submitted to a film festival. It won Best Screenplay of the Competition and before I knew it I was talking to Hollywood agents.
Q: Did you have the stereotypical "big break" that really helped your career in writing for movies and television?
A: A very talented writer named Marc Rosner gave me my first job, writing an episode for a series called At End of Day which was based on the George V. Higgins novel of the same name. The show didn't get picked up by the network but that script got me into the Writer's Guild and showed my agents that I could do the job. Then a few months later, David Chase, the creator of The Sopranos, read my script that won the film festival and off that he hired me to write the teleplay of a Sopranos episode. It was the one where the mob pays gang-bangers to shoot up a crack house and it ends with Tony taking off his belt and whipping Assemblyman Zellman as Zellman huddles on the floor in his underwear. That episode really changed my life. In less than a year I went from having no credits to having a credit on the hottest show on television. I'll always be grateful for the opportunity David Chase gave me.
Q: You've been involved in several television and film projects. What has been your most rewarding professional experience so far?
A: Hands down, Prison Break. But not only because I think it's a great show. I love the experience because I've been able to work with some of the most talented writers, producers, actors, studio and network executives, directors and post-production personnel that I will ever work with in my career. And on top of that, they're all great people who I love spending the majority of my days with. We're all friends - we care about each other, we pull for each other, it's as good as it gets. I'd work with this group for the rest of my life if I could.
Q: Is it like that on most shows in Hollywood?
A: There are so many shows out there and I've only worked on a few so I wouldn't know. But I can tell you this - it should be like that on all shows because it results in the best work product.
Q: Television, movies and now a novel. Why?
A: I like to tell stories; I don't care about the medium.
Q: And didn't you create, and currently Executive Produce, the reality show "Beauty & The Geek"? How did that come about?
A: To say any one person "created" a show is unfair. To be completely fair, the people that really make that show work is 3 Ball, an incredible company that really hasn't gotten the public recognition it deserves considering what a great job they do with "Geek". They're the ones truly carrying the water when it comes to the day-in, day-out logistics of putting the show together. 3 Ball is fantastic.
Q: Okay, let's get back to the book. How is writing a novel different from writing for television?
A: The solitude. Writing a novel is just you and the blank page in front of you. You don't toss ideas around with anybody, you don't bounce dialogue off a pal. It's just you, alone. Writing for television is different. You have a writing staff and you work together on breaking stories and then you read each other's drafts and shares notes and ideas and, at least on Prison Break, it is very collaborative and frankly, a really fun and enjoyable process. And you also get notes and thoughts from the studio and the network. At the end of it all, you watch an episode and know that with all the writers, producers, execs, cast and crew - you have something that literally scores and scores of people have contributed to - a real team effort. That's why it is so absurd when a director take "A Film By" credit. Because unless you wrote every word, shot the film, played all the parts, sewed the costumes and did the lighting all by yourself, you're taking the credit for other people's work.
Q: How much of the book is autobiographical?
A: Obviously, when I was a lawyer I never teamed up with the mob. But I did, as the first male in my family to go to college, put a fair amount of pressure on myself to be successful, to make my family proud. And I think that's why I went to law school. And I love my family very much, and they always stand by me, no matter what, just like Rob Principe, the hero of Slip & Fall, had his family stand by him. To that extent that Rob Principe and I both have incredible families, it is very autobiographical.
Q: Do you have a favorite moment in the Slip & Fall?
A: That's a tough one. I guess when Rob's father tells him that "he raised a good man." My dad actually said those exact words to me once when our family was going through a very difficult situation. He just said it, probably didn't even think about it, but it hit me like a ton of bricks. It just had a huge impact on me, my father acknowledging that I was a "good man" helping our family through rough waters - deep down it's what every son wants to hear.
Q: Do you have any heroes?
A: Professionally or personally?
Q: Both.
A: Personally, I look up to my parents, my grandparents - they all worked incredibly hard, gave so much, so their children and grandchildren could have opportunities they never had or could have never dreamed of. They are all my role models. I also admire my sister very much - she is very smart and very tough. And as for a role model of what a good, decent person should be, I look to my wife. She is amazing.
Professionally, I don't have "heroes", per se. I have people who's work and/or work ethic I admire. John Turturro made the film "Mac", my favorite film of all time. I admire that work. I admire the work of Alexander Payne because I know I could never write a film like Election, which is one of my favorites. I admire the way Matt Olmstead runs Prison Break, a very difficult show to make - but Matt's always setting a tone of "everything will be fine, there's a solution to every problem." I know I've learned by watching him. Hell, I admire Christian Trokey, a first year writer on our show, because he spent 7 years or so in LA trying to break into the business and no matter how hard it was at times, he never gave up - he knew if he stuck to it his talent would eventually get him to where he'd need to be, and it did. Actually, now that I think of it, I have admiration for each and every person on the Prison Break team.
Q: You've graduated from an Ivy League Law School, written, produced and/or created for film and television ... what so far is the accomplishment you're most proud of?
A: Getting my wife to marry me.
Q: Were you worried she'd say no?
A: No. She has bad eyesight, so I told her I was handsome. She believed me ... sucker.
Q: If you could have dinner with 3 people, dead or alive, who would they be?
A: If I eat alone, can I get all the meals? If so, then nobody.
Q: For a drama writer, you're a pretty funny guy.
A: You just made my lifetime. The funniest people I know are drama writers and comedy writers are often somber and serious. But the truth is, I'm not a "drama writer". There is a lot of humor in the stuff I write - I just sold a feature film script that I wrote that Ice Cube is going to star in and there is some hysterical stuff in it. The best thing I ever wrote in my life is a Curb Your Enthusiasm script.
Q: Speaking of tv, what is your favorite show?
A: The Simpsons ... best show ever.
Q: What on tv is bad?
A: We don't have the time. Next question.
Q: If you couldn't write, what would you do?
A: Become depressed, drink too much, wallow in misery, put on 50 pounds, my family would leave me and in 20 years you'd find me living behind a Winn Dixie talking to a sock puppet I named "Mr. Coccobutter."
Q: Seriously.
A: I am serious. If I can't write and be creative, you might as well fit me for a pine box. This is all I want to do. I want to write and be with my family and that's it. I don't ski, I don't collect anything, I have no hobbies ... I want to make stuff up, put it on paper, put it on film and be a good father and husband. Those are my jobs, my hobbies and my passions. It actually helps me try to keep my life simple.
Q: Is your life simple?
A: Not at all. I said it helps me "try" to keep it simple. But at any given time I have 6 or 7 projects in some stage of development. But I'm not complaining - it's great. I'm the luckiest guy in the world and I know it.
Full Name: Nicholas (but goes by Nick)
Born: Queens, New York
College: Washington University in St. Louis
Law School: Columbia Law School
Jobs Before Writer: Cleaned Parking Lots, Lifeguard, SAT tutor, Bartender, Waiter, On-Air Correspondent for Court TV, Lawyer
Q&A
[NOTE: This interview was conducted by Kathleen Flaherty, an LA publicist and owner of K21 Communications based in Beverly Hills]
Q: You were a practicing lawyer in New York, how did you make the transition to writing, especially for tv and film?
A: I had always wanted to be a writer, since I was a little kid, but I just didn't see how you could make a living as a writer and I felt I needed to do something with the education my family had sacrificed so much for me to get. So after college I went to law school and practiced law for a long time and was absolutely miserable. I just hated being an attorney. Finally, about 6 years ago, when I was still a lawyer, I took my last week of vacation time and spent it writing a screenplay which I submitted to a film festival. It won Best Screenplay of the Competition and before I knew it I was talking to Hollywood agents.
Q: Did you have the stereotypical "big break" that really helped your career in writing for movies and television?
A: A very talented writer named Marc Rosner gave me my first job, writing an episode for a series called At End of Day which was based on the George V. Higgins novel of the same name. The show didn't get picked up by the network but that script got me into the Writer's Guild and showed my agents that I could do the job. Then a few months later, David Chase, the creator of The Sopranos, read my script that won the film festival and off that he hired me to write the teleplay of a Sopranos episode. It was the one where the mob pays gang-bangers to shoot up a crack house and it ends with Tony taking off his belt and whipping Assemblyman Zellman as Zellman huddles on the floor in his underwear. That episode really changed my life. In less than a year I went from having no credits to having a credit on the hottest show on television. I'll always be grateful for the opportunity David Chase gave me.
Q: You've been involved in several television and film projects. What has been your most rewarding professional experience so far?
A: Hands down, Prison Break. But not only because I think it's a great show. I love the experience because I've been able to work with some of the most talented writers, producers, actors, studio and network executives, directors and post-production personnel that I will ever work with in my career. And on top of that, they're all great people who I love spending the majority of my days with. We're all friends - we care about each other, we pull for each other, it's as good as it gets. I'd work with this group for the rest of my life if I could.
Q: Is it like that on most shows in Hollywood?
A: There are so many shows out there and I've only worked on a few so I wouldn't know. But I can tell you this - it should be like that on all shows because it results in the best work product.
Q: Television, movies and now a novel. Why?
A: I like to tell stories; I don't care about the medium.
Q: And didn't you create, and currently Executive Produce, the reality show "Beauty & The Geek"? How did that come about?
A: To say any one person "created" a show is unfair. To be completely fair, the people that really make that show work is 3 Ball, an incredible company that really hasn't gotten the public recognition it deserves considering what a great job they do with "Geek". They're the ones truly carrying the water when it comes to the day-in, day-out logistics of putting the show together. 3 Ball is fantastic.
Q: Okay, let's get back to the book. How is writing a novel different from writing for television?
A: The solitude. Writing a novel is just you and the blank page in front of you. You don't toss ideas around with anybody, you don't bounce dialogue off a pal. It's just you, alone. Writing for television is different. You have a writing staff and you work together on breaking stories and then you read each other's drafts and shares notes and ideas and, at least on Prison Break, it is very collaborative and frankly, a really fun and enjoyable process. And you also get notes and thoughts from the studio and the network. At the end of it all, you watch an episode and know that with all the writers, producers, execs, cast and crew - you have something that literally scores and scores of people have contributed to - a real team effort. That's why it is so absurd when a director take "A Film By" credit. Because unless you wrote every word, shot the film, played all the parts, sewed the costumes and did the lighting all by yourself, you're taking the credit for other people's work.
Q: How much of the book is autobiographical?
A: Obviously, when I was a lawyer I never teamed up with the mob. But I did, as the first male in my family to go to college, put a fair amount of pressure on myself to be successful, to make my family proud. And I think that's why I went to law school. And I love my family very much, and they always stand by me, no matter what, just like Rob Principe, the hero of Slip & Fall, had his family stand by him. To that extent that Rob Principe and I both have incredible families, it is very autobiographical.
Q: Do you have a favorite moment in the Slip & Fall?
A: That's a tough one. I guess when Rob's father tells him that "he raised a good man." My dad actually said those exact words to me once when our family was going through a very difficult situation. He just said it, probably didn't even think about it, but it hit me like a ton of bricks. It just had a huge impact on me, my father acknowledging that I was a "good man" helping our family through rough waters - deep down it's what every son wants to hear.
Q: Do you have any heroes?
A: Professionally or personally?
Q: Both.
A: Personally, I look up to my parents, my grandparents - they all worked incredibly hard, gave so much, so their children and grandchildren could have opportunities they never had or could have never dreamed of. They are all my role models. I also admire my sister very much - she is very smart and very tough. And as for a role model of what a good, decent person should be, I look to my wife. She is amazing.
Professionally, I don't have "heroes", per se. I have people who's work and/or work ethic I admire. John Turturro made the film "Mac", my favorite film of all time. I admire that work. I admire the work of Alexander Payne because I know I could never write a film like Election, which is one of my favorites. I admire the way Matt Olmstead runs Prison Break, a very difficult show to make - but Matt's always setting a tone of "everything will be fine, there's a solution to every problem." I know I've learned by watching him. Hell, I admire Christian Trokey, a first year writer on our show, because he spent 7 years or so in LA trying to break into the business and no matter how hard it was at times, he never gave up - he knew if he stuck to it his talent would eventually get him to where he'd need to be, and it did. Actually, now that I think of it, I have admiration for each and every person on the Prison Break team.
Q: You've graduated from an Ivy League Law School, written, produced and/or created for film and television ... what so far is the accomplishment you're most proud of?
A: Getting my wife to marry me.
Q: Were you worried she'd say no?
A: No. She has bad eyesight, so I told her I was handsome. She believed me ... sucker.
Q: If you could have dinner with 3 people, dead or alive, who would they be?
A: If I eat alone, can I get all the meals? If so, then nobody.
Q: For a drama writer, you're a pretty funny guy.
A: You just made my lifetime. The funniest people I know are drama writers and comedy writers are often somber and serious. But the truth is, I'm not a "drama writer". There is a lot of humor in the stuff I write - I just sold a feature film script that I wrote that Ice Cube is going to star in and there is some hysterical stuff in it. The best thing I ever wrote in my life is a Curb Your Enthusiasm script.
Q: Speaking of tv, what is your favorite show?
A: The Simpsons ... best show ever.
Q: What on tv is bad?
A: We don't have the time. Next question.
Q: If you couldn't write, what would you do?
A: Become depressed, drink too much, wallow in misery, put on 50 pounds, my family would leave me and in 20 years you'd find me living behind a Winn Dixie talking to a sock puppet I named "Mr. Coccobutter."
Q: Seriously.
A: I am serious. If I can't write and be creative, you might as well fit me for a pine box. This is all I want to do. I want to write and be with my family and that's it. I don't ski, I don't collect anything, I have no hobbies ... I want to make stuff up, put it on paper, put it on film and be a good father and husband. Those are my jobs, my hobbies and my passions. It actually helps me try to keep my life simple.
Q: Is your life simple?
A: Not at all. I said it helps me "try" to keep it simple. But at any given time I have 6 or 7 projects in some stage of development. But I'm not complaining - it's great. I'm the luckiest guy in the world and I know it.
Below are shows Nick Santora has written for and/or produced as well as episodes he has either written or co-written.
Click on the episode titles for more details.
PRISON BREAK
Riots, Drills & The Devil - Part I
Episode: 006 Season: 1
First Aired: Monday September 26, 2005
Michael creates a lockdown by sabotaging the air conditioning in order to execute his breakout plan properly, and unintentionally causes a riot that gets Sara into huge trouble. Meanwhile, an ex-con is blackmailed into seeing to that Lincoln is killed.
Sleight of Hand
Episode: 010 Season: 1
First Aired: Monday November 7, 2005
Abruzzi struggles to get his crew back to PI. He tries to convince Michael to reveal Fibonacci's whereabouts to Falzone.
Agents Kellerman and Hale receive some professional help for their search, as the vice president isn't satisfied about their progress so far.
An inmate becomes suspicious of the escapees' work at the break room.
Steadman's money trail leads Veronica and Nick to a surprising discovery.
By the Skin and the Teeth
Episode: 015 Season: 1
First Aired: Monday March 27, 2006
As Lincoln is about to be executed, he briefly sees his father in the viewing room. A phone call from judge Kessler delays the execution. After reviewing the newly surfaced evidence, the judge orders the exhumation of Steadman's body.
Michael creates a new, more dangerous, break-out plan, involving going through the prison yard. An accident puts Michael's new plan in danger.
Bluff
Episode: 018 Season: 1
First Aired: Monday April 17, 2006
In an effort to recreate the missing piece of the tattoo, Michael gets transferred to the psych ward, seeking the help of Haywire. T-Bag and C-Note have to join forces.
First Down
Episode: 026 Season: 2
First Aired: Monday September 11, 2006
Bellick, now teamed up with Michael, Lincoln and Nika, sets out to find the money stolen by Westmoreland during the 1971 skyjacking.
Kellerman targets Sara, who receives a long-awaited phone call. T-Bag gets a ride from an unsuspecting family. Abruzzi resumes the search for Fibonacci to settle the scores once and for all.
Unearthed
Episode: 031 Season: 2
First Aired: Monday October 30, 2006
In an effort to learn more about his pursuer Michael cozies up to Mahone's wife. L.J. and Lincoln have a bumpy road-trip. T-Bag receives a surprise, and C-Note's wife must choose between her daughter and husband.
Disconnect
Episode: 034 Season: 2
First Aired: Monday November 20, 2006
With Mahone on their trail, Michael, Lincoln, their father, and Sucre make a run for the getaway plane. Michael's reunion with his father sheds light on his difficult childhood.
The women in Bellick and Kellerman's lives coerce their men to confess their sins.
A medical emergency forces C-Note to risk it all.
John Doe
Episode: 036 Season: 2
First Aired: Monday January 22, 2007
Bellick gets a taste of the medicine he gave out when he was the Captain and Agent Mahone's ex-wife makes another appearance.
Chicago
Episode: 038 Season: 2
First Aired: Monday February 5, 2007
C-Note gets into a tricky situation when a robber holds up the diner he is in and demands every-one into the storage room until the police arrive.
Michael, Lincoln and Kellerman get closer to revealing the conspiracy with the help of Sarah.
Mahone finds a new ally in Bellick.
Wash
Episode: 040 Season: 2
First Aired: Monday February 26, 2007
T-Bag digs deep and finds his 'nice-side' with the help of a psychiatrist. Michael, Lincoln, and Sarah get their hands on evidence needed to bring down The Company, while Kellerman is close to finding the President.
Good Fences
Episode: 048 Season: 3
First Aired: October 8, 2007
Aftermath of Sara's death, Lincoln decides not to tell about it to Michael. Susan B. told Lincoln that if he does something wrong again, she's going to send pieces from LJ to him. Meanwhile, Sucre got a job in Sona. And Sofia starts to help Linc.
Bang and Burn
Episode: 052 Season: 3
First Aired: November 12, 2007
Linc tell Michael they get 4 more days. Susan/ Gretchen is told by her big Company boss to end the case today; she tells James to take everybody out at 5PM but kill Schofield while a whole team prepares a Company operation. Sofia answers Whistler's phone from his landlord, there gets his papers; Susan turns up and tells her to leave. Lechero sends door key codes by T-bag, then joins Michael and Whistler (who brought a knife to kill Michael but dumps it) into a tunnel site, only fit to go up. Linc and Sucre rent a wood cabin.
Hell or High Water
Episode: 052 Season: 3
First Aired: February 11, 2007
Michael counted on the scum going first: they three get caught, Lechero is shot. Handcuffed, Sucre can't even answer his phone for Linc, who gets desperate. Coward Bellock accepts on the spot to show general Mestas's men the tunnel, Michael waits till they're already past one door to crawl out of the tunnel with his party which gets trough the fence into the jungle, pursued closely. Whistler hurts his ankle but they reach Linc on the beach and dig up diving gear; Whistler panics.
Shut Down
Episode: Season: 4
First Aired:
More Information Coming Soon!
THE SOPRANOS
Watching Too Much Television
Episode: 046 Season: 4
First Aired: Sunday October 27, 2002
Tony and Ralph enter into a shady real estate deal with a crooked Assemblyman, but things get complicated when Zellman admits to Tony that he's seeing his old girlfriend. Adriana pushes Christopher toward marriage in the hopes that it will nullify the FBI's hold over her. Paulie gets out of jail and has another meeting with Johnny Sack.
LAW & ORDER
Dead Wives Club
Episode: 327 Season: 15
First Aired: Wednesday September 22, 2004
When a woman abandoned by her firefighter husband for his partner's widow is threatened with also losing custody of her children, she murders her romantic rival, claiming that 9/11 post-traumatic stress syndrome prompted her actions.
Cry Wolf
Episode: 333 Season: 15
First Aired: Wednesday November 17, 2004
The detectives are skeptical when a former street activist turned shock jock with a history of staging phony muggings to gain publicity for his causes appears to be the subject of an attempt on his life after publicly assailing a mobster, but they begin to believe his story after they discover that the married jock was involved with the mobster's mistress.
Fluency
Episode: 339 Season: 15
First Aired: Wednesday January 19, 2005
Fontana and Green are baffled by a series of flu-related deaths until they discover that the victims were given fake vaccine. McCoy goes after the con man who distributed the vaccine for murder.
Sport of Kings
Episode: 347 Season: 15
First Aired: Wednesday May 4, 2005
The shooting of a Panamanian jockey sends Fontana and Falco into the colorful world of horse racing, and they learn that the animal's owner used stolen funds for the purchase.
THE GUARDIAN
Assuming the Position
Coming Soon.
The Dark
Coming Soon.
No Good Deed
Coming Soon.
The Intersection
Coming Soon.
Sensitive Jackals
Coming Soon.
Big Coal
Coming Soon.
Let God Sort 'Em Out
Coming Soon.
The Watchers
Coming Soon.
Blood In, Blood Out
Coming Soon.
Click on the episode titles for more details.
PRISON BREAK
Riots, Drills & The Devil - Part I
Episode: 006 Season: 1First Aired: Monday September 26, 2005
Michael creates a lockdown by sabotaging the air conditioning in order to execute his breakout plan properly, and unintentionally causes a riot that gets Sara into huge trouble. Meanwhile, an ex-con is blackmailed into seeing to that Lincoln is killed.
Sleight of Hand
Episode: 010 Season: 1First Aired: Monday November 7, 2005
Abruzzi struggles to get his crew back to PI. He tries to convince Michael to reveal Fibonacci's whereabouts to Falzone.
Agents Kellerman and Hale receive some professional help for their search, as the vice president isn't satisfied about their progress so far.
An inmate becomes suspicious of the escapees' work at the break room.
Steadman's money trail leads Veronica and Nick to a surprising discovery.
By the Skin and the Teeth
Episode: 015 Season: 1First Aired: Monday March 27, 2006
As Lincoln is about to be executed, he briefly sees his father in the viewing room. A phone call from judge Kessler delays the execution. After reviewing the newly surfaced evidence, the judge orders the exhumation of Steadman's body.
Michael creates a new, more dangerous, break-out plan, involving going through the prison yard. An accident puts Michael's new plan in danger.
Bluff
Episode: 018 Season: 1First Aired: Monday April 17, 2006
In an effort to recreate the missing piece of the tattoo, Michael gets transferred to the psych ward, seeking the help of Haywire. T-Bag and C-Note have to join forces.
First Down
Episode: 026 Season: 2First Aired: Monday September 11, 2006
Bellick, now teamed up with Michael, Lincoln and Nika, sets out to find the money stolen by Westmoreland during the 1971 skyjacking.
Kellerman targets Sara, who receives a long-awaited phone call. T-Bag gets a ride from an unsuspecting family. Abruzzi resumes the search for Fibonacci to settle the scores once and for all.
Unearthed
Episode: 031 Season: 2First Aired: Monday October 30, 2006
In an effort to learn more about his pursuer Michael cozies up to Mahone's wife. L.J. and Lincoln have a bumpy road-trip. T-Bag receives a surprise, and C-Note's wife must choose between her daughter and husband.
Disconnect
Episode: 034 Season: 2First Aired: Monday November 20, 2006
With Mahone on their trail, Michael, Lincoln, their father, and Sucre make a run for the getaway plane. Michael's reunion with his father sheds light on his difficult childhood.
The women in Bellick and Kellerman's lives coerce their men to confess their sins.
A medical emergency forces C-Note to risk it all.
John Doe
Episode: 036 Season: 2First Aired: Monday January 22, 2007
Bellick gets a taste of the medicine he gave out when he was the Captain and Agent Mahone's ex-wife makes another appearance.
Chicago
Episode: 038 Season: 2First Aired: Monday February 5, 2007
C-Note gets into a tricky situation when a robber holds up the diner he is in and demands every-one into the storage room until the police arrive.
Michael, Lincoln and Kellerman get closer to revealing the conspiracy with the help of Sarah.
Mahone finds a new ally in Bellick.
Wash
Episode: 040 Season: 2First Aired: Monday February 26, 2007
T-Bag digs deep and finds his 'nice-side' with the help of a psychiatrist. Michael, Lincoln, and Sarah get their hands on evidence needed to bring down The Company, while Kellerman is close to finding the President.
Good Fences
Episode: 048 Season: 3First Aired: October 8, 2007
Aftermath of Sara's death, Lincoln decides not to tell about it to Michael. Susan B. told Lincoln that if he does something wrong again, she's going to send pieces from LJ to him. Meanwhile, Sucre got a job in Sona. And Sofia starts to help Linc.
Bang and Burn
Episode: 052 Season: 3First Aired: November 12, 2007
Linc tell Michael they get 4 more days. Susan/ Gretchen is told by her big Company boss to end the case today; she tells James to take everybody out at 5PM but kill Schofield while a whole team prepares a Company operation. Sofia answers Whistler's phone from his landlord, there gets his papers; Susan turns up and tells her to leave. Lechero sends door key codes by T-bag, then joins Michael and Whistler (who brought a knife to kill Michael but dumps it) into a tunnel site, only fit to go up. Linc and Sucre rent a wood cabin.
Hell or High Water
Episode: 052 Season: 3First Aired: February 11, 2007
Michael counted on the scum going first: they three get caught, Lechero is shot. Handcuffed, Sucre can't even answer his phone for Linc, who gets desperate. Coward Bellock accepts on the spot to show general Mestas's men the tunnel, Michael waits till they're already past one door to crawl out of the tunnel with his party which gets trough the fence into the jungle, pursued closely. Whistler hurts his ankle but they reach Linc on the beach and dig up diving gear; Whistler panics.
Shut Down
Episode: Season: 4First Aired:
More Information Coming Soon!
THE SOPRANOS
Watching Too Much Television
Episode: 046 Season: 4First Aired: Sunday October 27, 2002
Tony and Ralph enter into a shady real estate deal with a crooked Assemblyman, but things get complicated when Zellman admits to Tony that he's seeing his old girlfriend. Adriana pushes Christopher toward marriage in the hopes that it will nullify the FBI's hold over her. Paulie gets out of jail and has another meeting with Johnny Sack.
LAW & ORDER
Dead Wives Club
Episode: 327 Season: 15First Aired: Wednesday September 22, 2004
When a woman abandoned by her firefighter husband for his partner's widow is threatened with also losing custody of her children, she murders her romantic rival, claiming that 9/11 post-traumatic stress syndrome prompted her actions.
Cry Wolf
Episode: 333 Season: 15First Aired: Wednesday November 17, 2004
The detectives are skeptical when a former street activist turned shock jock with a history of staging phony muggings to gain publicity for his causes appears to be the subject of an attempt on his life after publicly assailing a mobster, but they begin to believe his story after they discover that the married jock was involved with the mobster's mistress.
Fluency
Episode: 339 Season: 15First Aired: Wednesday January 19, 2005
Fontana and Green are baffled by a series of flu-related deaths until they discover that the victims were given fake vaccine. McCoy goes after the con man who distributed the vaccine for murder.
Sport of Kings
Episode: 347 Season: 15First Aired: Wednesday May 4, 2005
The shooting of a Panamanian jockey sends Fontana and Falco into the colorful world of horse racing, and they learn that the animal's owner used stolen funds for the purchase.
THE GUARDIAN
Assuming the Position
Coming Soon.
The Dark
Coming Soon.
No Good Deed
Coming Soon.
The Intersection
Coming Soon.
Sensitive Jackals
Coming Soon.
Big Coal
Coming Soon.
Let God Sort 'Em Out
Coming Soon.
The Watchers
Coming Soon.
Blood In, Blood Out
Coming Soon.
© 2007 Nick Santora, All Rights Reserved
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